Annie Hollywood

neurotic New Yorker moves to LA — my photo diary

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  • It’s a good thing the jasmine arboring this dumpster died off, because I was tempted to make ice cream with it:

jasmine ice cream (bastani-ye goleh yas)

    It’s a good thing the jasmine arboring this dumpster died off, because I was tempted to make ice cream with it:

    jasmine ice cream (bastani-ye goleh yas)

  • Deeper shadows: more photos & links

    Daylight Noir
    Photographer Catherine Corman’s tour of Raymond Chandler’s LA—“deep blacks and blank whites drawing a stark moral universe.” She says it’s vanishing; I say the light (and human nature) hasn’t changed.

    Dark Bauhaus
    Painter Lyonel Feininger’s moody photos.

    Shadow Play
    Cheeky inversions from the artists behind Low Commitment Projects.

    More on Haven 2410
    and yesterday’s porthole building. First Mate Bob: ”I’ve anchored my soul in the haven of rest, I’ll sail the wide seas no more.”

  • Who knows what evil lurks in the hearts of men? The Shadow knows…”

    To avoid harsh shadows, step into the shade—the first tip for outdoor photography from Kelli Trontel and A Beautiful Mess, part of a useful series. Since I’m not photographing to flatter a subject, I got the idea to flaunt their advice, seeking out shadows as their own subject. I already noticed LA’s midday shadows are stark and exaggerated, a byproduct of the gigawatt sunshine.

    Shadows tempt my graphic designer self, promising to clarify and simplify underlying forms. But is their truth a lie? Blotting something out doesn’t make it disappear. Sharon Stone’s cellulite is still there under the shadows Basic Instinct’s cinematographer projected on her thigh (legend has it). A cast shadow belongs to one moment, a single vantage point. No person is a silhouette.

    But we all have a dark side, and ignore our basic instincts at our peril:

    Such tendencies form an ever-present and potentially destructive “shadow” to our conscious mind. Even some tendencies that might in some circumstances be able to exert a beneficial influence are transformed into demons when they are repressed. —Carl Jung

    I struggle with knowing my own shadow. She’s a malevolent hitchhiker who won’t tell me where we’re going. When I repeat the same mistakes over and over, like the confused elderly couple who looped the DC beltway for an entire weekend, she’s the one driving.

    So are the streets of Los Angeles menaced by shadows? Not exactly, but watch out for sharp edges and virtual prisons…

  • A cowboy is shot down on the streets of Williams… every day!

    To travel Route 66 is to be peppered with the desperate whimsy of false superlatives—the world’s biggest rocking chair, the definitive museum of vacuum cleaners, the miracle staircase built without nails. As part of our coastal switch, we drove across country, and by the time we reached New Mexico and Arizona, we relaxed our pace to enjoy their sunny eccentricity.

    Williams, Arizona was an unruly mix of bikers, artisans and mystified European visitors to the Grand Canyon. We checked into a classic motel with a horse bedspread and a loud mini-fridge. Proprietor cum man-of-all-work Sully periodically ejected his chewing tobacco into a plain tin can. He did this so daintily, his swish and spit more delicate than any wine taster, that I didn’t realize it for minutes. “Where are you folks from, and where are you headed?” New York City, and Los Angeles. There was a needle scratch in the conversation; a genuine “That stuff’s made in New York City!?” Pace Picante sauce moment.

    “Not much different,” he said.

    I was taken aback by his comment, but also pleased. What was a sea change for me was a blip on his radar: a valuable tilt-shift in perspective. I’d been focused on the differences, worried I’d be as allergic to LA as Alvy Singer. Could I learn to like it without cheating on New York, wiping out an important part of my life? Would I have to spit out my steak and whiten my teeth? Could I handle car culture, food fads, body consciousness, image everything? Did I even know what I was getting into, or was I merely stereotyping? (Not really, and yes.)

    Compared to most places in the country, it could be that NYC and LA are more alike than different. They are liberal metropolises with tumultuous histories and varied people—lots to see, do, eat, be. I think now that both cities are similarly misunderstood. (California was recently voted the least-liked state.) People from elsewhere assume them to be solely the province of the bicoastal elite (sign me up!), as if everyone were the 1% instead of the 99%. Nope.

    So I wonder, what can I glean from an ongoing visual comparison, juxtaposing images from each city?


    Red shoe diaries
    Quirky small businesses blare out their offerings loud and proud at Latin Fever Dance Studio in Brooklyn and The Pleasure Chest in West Hollywood.

    Tree, building, sky
    In Bryant Park and near LAX: a place to stop and a place to drive by.


    The breadth and depth of shopping in New York City was astonishing, with exquisitely specialized Emporiums of Everything. Where would the editors of shelter magazines be without Mood Fabrics and M&J Trimming? If you need an intricately carved Byzantine church pew, Mad Men-model undergarments, an industrial meat slicer, or 8mm-to-DVD conversion, I can tell you where to go. I may never have needed those things, but knowing where to find them made me happy.

    Starting over in a new city wiped out all that accumulated knowledge, and I’ve been shopping at chain stores. “Have you been to the Americana?” Um, yeah. It’s a mall. I didn’t need to flee the suburbs for that. The forced cheer of the little trolley reminds me of Patrick McGoohan’s island prison in The Prisoner. To be fair, it seems like a true gathering place, where families and couples walk and linger. It’s just very Anywhere and Nowhere at the same time.

    Waiting to be found are those idiosyncratic community gems that make city living so interesting. Like the vast Surfas Restaurant Supply in Culver City. Or the dusty party supply store on Hillhurst with a creepy piñata outside. I may still be an observer, an outsider, but I know they’re serving someone.

  • Los Angeles through a photographer’s eyes

    palm trees and power lines
    “I used to live around the corner from these two trees and, as many times as I have passed them, I had never noticed their extreme tallness before. I love the way they bend and glow in the setting sun.”

  • the awesome endpapers of Eliot Elisofon’s The Hollywood Style, 1969Beverly Hills by Wary Meyers
    the awesome endpapers of Eliot Elisofon’s The Hollywood Style, 1969

    Beverly Hills by Wary Meyers

  • Things to do in L.A. before you die (or move back to Iowa)

  • I tend to consider transforming every passing interest into a vocation. I can’t have a hobby, I have to have a purpose. Picking out a wedding veil, I mull over millinery. I buy old hats off eBay to examine their construction. I accidentally dissolve one trying to whiten it. I immure myself in the library creating serendipitously dreamy inspiration images on a never-serviced Xerox machine. I hoard, taxonomize, fantasize, sketch. Finally, my friend C executes my short, sweet, blowsy veil, and I am done, satisfied. It’s over.

    Is there a word for this? I think it might be dilettante.

    Right now photography is it. I start bringing a point-and-shoot with me while walking the dog, and decide I am Henri Cartier-Bresson. I take lots of photographs, and group them. I look at what I’ve done, and start to wonder the why and how of it.

    Simply put, this is crucial—perhaps MOST important for any shooter—you should strive to make a photograph that no one else in the world can make.
    Chase Jarvis

    Uh oh. What is the secret ingredient in my photography, the recipe no one else has? This is a black hole of a question. A slough of despond, even. I’ve realized recently that there should be different advice for People Who Care Too Much and People Who Could Care Less. Mix and match and you’ll get the worst from each.

    An example from my past. I don’t know if this is Really Me, or just the Story of Me, but here goes. My mother angrily confronted my first-grade teacher after I missed lunch and recess one day finishing a coloring exercise. The point of the assignment, a sort of paint-by-numbers with vocabulary, was to show you knew the names of the colors by filling in each segment with the correct one. I must have found this so stunningly obvious or banal that I invented a new objective: create a layer of crayon shellac as flawlessly surfaced as an Ellsworth Kelly painting. I approached this as intently and seriously as answering the riddle of the Sphinx, along with my teacher’s instruction not to move until I was done. So there I was, caring more and trying harder, in solitary confinement on hunger strike. Clearly, this is the advice I need: The Complete Guide to Not Giving a Fuck.


    In these photos, I see a color story. I see no people, but rather their traces. In mangled haiku form (or tweet), I see

    Easter egg colors and
    lovenotes; a hush—
    the tender potency of spring.

    Maybe I’ll consider photography my diary, and avoid the boom and bust cycle of trying to be special. Maybe it’s not art, it’s just my life.

    Everyone has those little secret happinesses—the spin of a dryer or the droop of a dead stem.

    It was her life and, bending her head over the hall table she bowed beneath the influence, felt blessed and purified, saying to herself…how moments like this are buds on the tree of life (as if some lovely rose had blossomed for her eyes only).

    Elvis mattress in Echo Park

  • Curbside California poppy, February 3 / Hyperion Ave, Silverlake 

Our experience of California “winter” this year was a succession of lovely Indian summer days, crisp like toast, now bleeding into a string of perfect spring days, cool and promising. Given that I’m not in Kansas anymore, I’ve been looking forward to experiencing California’s natural majesty as a psychedelic—that is, searing my retinas with orange oceans of wildflowers. Apparently, the dry winter is delaying blooms in the desert parks and northern fields, but I see Los Angeles in full flower.

10 best California poppy fields
Sauntering in any direction, hundreds of these happy sun-plants brushed against my feet at every step, and closed over them as if I were wading in liquid gold.
—naturalist John Muir, The Mountains of California

DesertUSA wildflower reports
 The Muir Project trailer via Modern Hiker
The secret life of local plants 1 & 2

    Curbside California poppy, February 3 / Hyperion Ave, Silverlake

    Our experience of California “winter” this year was a succession of lovely Indian summer days, crisp like toast, now bleeding into a string of perfect spring days, cool and promising. Given that I’m not in Kansas anymore, I’ve been looking forward to experiencing California’s natural majesty as a psychedelic—that is, searing my retinas with orange oceans of wildflowers. Apparently, the dry winter is delaying blooms in the desert parks and northern fields, but I see Los Angeles in full flower.

    10 best California poppy fields

    Sauntering in any direction, hundreds of these happy sun-plants brushed against my feet at every step, and closed over them as if I were wading in liquid gold.

    —naturalist John Muir, The Mountains of California